I like LEGO games for their simple light-hearted humor and recreation of well known scenes from other IPs, esp. SW\LOTR ones.
I like LEGO games for their simple light-hearted humor and recreation of well known scenes from other IPs, esp. SW\LOTR ones.
On consoles I believe? Can’t remember if PC had thisor even gamepad support.
But there’s cold, and forests, and stuff!
I’m confused too. Guess, just nationalism is not enough.
Scandinavian stuff is like a magnet for nazi idiots. Vikings, runes, groups like Burzum (see Varg Vikernes), white majority in the country, nortern nature, isolation and safety to form clubs or even parties for them. It’s like a Disneyland for him.
And after a while, when he was deported, he probably wanted to get back, as in his country nazism is controlled and only useful, submissive strays are safe to be. Becoming too influential or talking against the party line is a punishable offence. At least a couple of big neonazi\alt-right turds got suicided in recent decade for acting up, and I wasn’t following them closely. If only it wasn’t in history books.
I feel it should be public and connected to an account, but this account shouldn’t be connected to a person unless they explicitly wish so.
Lost your judgement for a sec.
With what level of trust pirated releases need, it’s kinda worrysome to depend on that person. And they doesn’t seem like one to share their secrets.
EMPRESS is their name and yeah, they are bonkers. They are also very picky and influenced by donations, so obscure games won’t be cured from DENUVO ever. Judgement, a somehow popular Sega release, was cracked days ago, and it’s a 2018 game. They picked a fight with a ripper\cracker Skidrow in .nfo announcing that.
I was overwhelmed by changes in my life and bottled it up until I freaked out at my loved ones. Years have passed, and I’m still pissed at myself for that childishness. Healthy ways to blow off steam are a must.
One ukrainian military psychologist and youtuber I’ve watched, Філософ Рептилоїд, frequently said how him bringing a laptop with games to a barrack set up a better overall atmosphere in a combat unit. Gaming is intense and occupying enough activity to distract one from fatigue of the battlefield for a couple of hours. Guess, even wargames work.
And would even require Windows Eleven soon, banning older CPUs!
I agree with you. One factor I still have hope for in that angle are new handhelds. We had Switch, we had Steam Deck and its newer competitors. And they all judged by their battery life and also has small screen where gfx don’t matter as much. Players on a long roadtrip or shift intuitively chose less consumptive games over those eating the battery in a hour. I wonder if Steam can make a special category for energy-light games, just for that obvious reason. And it, in reverse, inspiring devs to make games to cater to that usercase. I can dream.
Honestly, I agree to an extent. I like watching at a well-designed scenery but I think it hurts games if it takes the priority. I’m not playing games for that, but for cool gamedesign ideas and my own experiences with mechanics. That’s tl;dr, next is my rant, for I had a long bus ride.
Graphics are very marketable and ad-friendly, easier to implement\control rather than changes to engine or scripts (you need to understand first) and they may cover up the lack in other departments. Effective managers love that. CGI guys at Disney are on strike because this sentiment held as true in movie industry too, and they are overloaded, filming the whole movie over chromakey. Computer graphics almost replaced everything else.
In my perspective, this trend in AAA lowers the quality of the end product, makes it safer to develop (formulaic reiteration) but just ok to play, mostly unremarkable. Indie and small gamestudios can’t compete with them in visuals, so they risk and try to experiment, bring novelty, and sometimes win a jackpot.
Like, obviously, Minecraft, that was initially coded by Notch alone. It invented indie scene as we know it now. It put tech and mechanics over looks, and the whole world was playing it. No one cared for how abstract it is being addicted to the gameplay.
Playing older games, I see, that they were in this race too, like how (recently remastered) Quake 2 was a great visual upgrade over Quake 1. People sold an arm and a leg to play them on HIGH at that time. And how they nodded like yeah, now it’s just like a real life watching at a 640x320 screenshot, or how marketologists sold it. But somehow they were made completely different in many ways, not gfx alone, and that’s for a braindead shooter. I feel it with my fingers. I see it in how the game logic works. This sensation was greater for me than anything I see on the screen.
Not being able to recall what happened in what CoD game, I become more amused with how gamedesign, presented via code, affects the feeling of a game. How in Disco Elysium all these mental features made it stand out. How Hotline: Miami did extreme violence so stylish. How Dwarf Fortress taught me to care about ASCII symbols on my screen but accepting the fun of loosing them. How the first MGS’s Psycho Mantis read my savefiles from other games and vibrated my controller on the floor with his psychic power.
These moments and feelings can’t be planned and managed like creation of visual assets. And they are why I like games, as outdated as NES ones or as ugly as competitive Quake config looks. They, like making love with a loving partner, hits different than a polished act of a fit and thin sex-worker. They bring unique experience instead of selling you a horse-painted donkey.
And that’s why I don’t really care about graphics and dislike their unending progress.
Need For Speed: Hot Pursuit (2010?). Cars felt right due to Criterion working on them to make them like in Burnout, but their Autolog service, plentiful cutscenes, menu, performance issues and a lot of boring lonely sprints on time killed it for me. I loved to drive in free mode, but avoided races like fire.
GTA IV, but it was on me, maybe. They totally shifted the tone of the game, changed so much I felt like I play a different series. While I came to like it more, the first time it just didn’t work for me.
TellTale’s The Walking Dead after S1. It’s either them losing their juice or me and my friends starting to understand the formula and how low stakes it actually is.
In the same timeframe, most wages not significantly changed, a big cup of fast noodles went from 20 to 100 roubles, bread 10-15 to 50+, simple 0,5L of bottled water gone 50 from 15. Hoping it would bounce back from 100 to 90-something is kinda ridiculous, especially as these drops were all self-inflicted and it was easy not to cause them in the first place. I don’t understand how you as a brief visitor could observe these dramatic changes in time, but locals around me can’t or don’t have a problem with it.
Looks cool. I loved one of the previous ones for how fun coop gameplay was. Now I need to dowload some friends.
I took another spin on it. Maybe it would inspire you.
The only thing I can think of is branching dialogs in RPGs. J. Sawyer said that better than I can: https://youtu.be/eeUwPLxsp7Y
New itrunsdoom category? Impressive.