Witcher 3 doesnt need leveled enemies or loot. There is already a wide enough variety of monsters and equipment to convey player progression, and the leveling only exists to make sure that Geralt is as vulnerable to human enemies at the end of the game as the beginning. That’s great! That’s the kind of world it is. I just don’t think you need constantly increasing hitpoints & a loot treadmill to keep it that way.
…just in case you were on the fence on whether the ‘quiet quitting’ articles and viral ‘nobody wants to work anymore’ pieces were just employer temper-tantrums, here’s CNBC trial-ballooning some fresh derogatory shorthand for workers who know what their labor is worth.
The only way I get the equipment or maintenence time that I need to do my job efficiently is if I make my immediate superiors strategically miserable on occasion. If I did what the article insists is the ideal, I’d be doomed to silently perform the same temporary, time-wasting fixes every week forever.
You can’t count on your work to ‘speak for itself’ if the company isn’t specifically examining your contributions in the first place. They will happily presume that your work is exactly interchangeable with everyone else’s because most middle managers aren’t experts at data collection and analysis and don’t spend 8 hours a day seeing what floor workers do.
It’s even worse if they’re an outside hire, with potentially no relevant experience to compare it to. I swear companies do this on purpose to avoid elevating people with institutional knowledge and any sense of ownership in their area of expertise: they might end up accidentally paying someone what they’re worth.
Moto x rocked. Last phone I ever really liked owning. My galaxy phone is just a tool, comparatively.
This was super handy, but these days you have to carefully prune your notification permissions, or it would go off all the time
Smaller, narrower phones generally. Blackberry keyboards (and slideout keyboards) in particular.
Loved the various hardware oddities of the moto Z line: a rear fingerprint scanner that was easy to use while holding the phone, and of course the magnetic attachments. Used to carry two batteries that could hot-swap, and a game controller in my bag.
Swapped to SmartTubeNext. Has all the expected features plus better browsing and an ‘auto-skip sponsors’ mode.
I’ve found a new reason to use the subscribed page - it shows more videos per screen than the home screen, now that YouTube on Android TV has massively increased the preview panel to an absurd degree. There’s barely any room for identifiers, just two or three video previews taking up the entire screen, like I’ve blown up a phone app on my TV. Wtf YouTube?
For the moment it is still a massive repository of useful esoteric knowledge. I’ve stopped using it for anything active / current, but so long as it exists and is searchable I don’t see that I’ll be able to move away from accessing it entirely.
Twitter, however, is dead to me.
The sequels trend towards fewer, longer stories with a bit more characterization as compared to Foundation, but it never really stops being a series about moments in a larger history. I’d say give either prelude to foundation or Foundation and Empire a try, but odds are if those don’t grab you, none of them will.
(importantly for those who don’t know already, the publishing dates vary widely across the series - with Foundation, Foundation and Empire, and Second Foundation released in the 50s, and the surrounding prequels and sequels arriving decades later. This can manifest as a jarring shift in writing style if you read them in chronological order instead of publishing order.)
An interesting time to be reading Forward…. Was that because of the TV series? Are you reading them in sequence?
I’m reading Michael Crichton’s The Sphere. It’s an odd one - Crichton rarely spends a lot of time on character, but Sphere in particular is barely interested in the people at all. It’s situations and implications, a sense of mystery and dread, that the author is interested in, and he whips from one dilemma to the next so quickly its a little disorienting. that can sound like praise, but I’m not sure it is. This is an early work, and it feels rough now and then. Without strong characters, the only voice you really hear is Crichton’s, and his tech-terror-explainer ‘tone’ can be a little tough to swallow in large amounts. all the same, I’m desperate to see where it goes, even as I suspect it will all be over much faster than most of his later novels.
I have a 10 year old CPU and I think Baldur’s Gate 3 has better performance than Battletech sometimes.