Huh. Maybe I can look into it and see if it’s possible for Trek.

I was hardly the target audience for Lower Decks; in fact, I was a little mad they had made an adult animated Star Trek comedy. However, after watching it, it has become a favorite. Season 1 is a bit difficult to get through, but once you get through that, overall, it’s a show that’s very sincere to what Star Trek is while still being a comedy. And it should have gotten 2 more seasons.

Same with Star Trek: Prodigy: it takes a second, and it’s still technically a kids show, but when it gets there, it’s worth it.

Honestly, I’m half hopeful for the show just because it’s a “We’re going for the {X} demographic” kind of show that sounds a little like a stupid idea that will actually turn out unexpectedly good but get cancelled before its time.

You know what would be really awesome, though? A Cali class MSD!

I think part of it is people are so annoyed with entertainment companies in general that it’s hard to know if you’re worried about something real about the show or you’re just fatigued.

Also, personally, I feel like people have actually been relatively quiet about STA, although maybe it’s just the community I’m in. Personally, with headlines about Robert Picardo’s character being “deeper”, I’m almost certain he’ll be 100% comic relief, and the show may be unexpectedly good, if Star Trek: Prodigy is anything to judge by.

Mostly, I just hope they don’t do the most basic Klingon plot they can think of - I think it would be great if the Qo’nos Klingons were relatively well off post-burn due to a philosophical shift, but they’ll probably have something like they were devastated by civil war after possibly being a Federation member.

EDIT: I mean, almost all of the better newer series have been forays into a genre - LD adult animated comedy and PRO children’s drama. If STA’s trying to aim towards a tween/teen niche, maybe it will also follow that. The only one to break the pattern is S31 somewhat, in the sense it was an action movie attempt, but still within the general sci-fi drama standard of Trek.

I mean, I think you have pretty based reasons to sail the high seas, frankly.

Engage the core!

Cerritos strong!

I’m rather sad to have never attended a convention - I was born in Vegas and lived there the first 15 years of my life.

We could have a convoluted retcon about Trip Tucker surviving somehow, but I kind of just want them to pull a Shaxs; someone brings it up and Tucker says, “We don’t talk about that.”

The early decon scenes are comparatively mild, which is saying something… don’t Google Vulcan Neuropressure; I wouldn’t wish such horrors upon my worst enemy.

I also enjoyed Prodigy, although I will warn the first half of season one is a little difficult to get through, but the rest of the series welds you to your seat!

I second this. It’s basically just an extra TNG-era spinoff that fits really well after Voyager.

The first season is a bit rough (though you’ve got to watch it at least once - important info for the rest of the show’s plot) but then the show starts doing its characters really well and has a sincerity to it you wouldn’t expect from its genre.

When I first heard of the idea of an adult animated Star Trek comedy, I thought it was a terrible idea, but they executed it so darn well, and it’s my second favorite series behind DS9.

Watching Enterprise (currently on season 3), I’m not sure I can blame you, despite the plot getting interesting.

Each 90s series has their fair share of “I want to put Rick Berman in my trunk and [redacted]” moments, but Enterprise takes it to a bit of a disgusting level.

Like, with 7 in Voyager, you learn to tune out the unnecessary catsuit after a while and just enjoy an otherwise good character, but they take the sexualization of T’Pol’s character to such extremes that it interferes with her just being a person on the show.

I’m watching ENT because I’m a sucker for canon, but I totally don’t blame you if you skip it.

Now I feel like a really awesome thing would be something like Star Trek: Excelsior as an animated series that focuses on Captain Sulu after Generations.

I mean, Patrick Stewart did Picard in his 80s, and Takei’s only 3 years older than Stewart. However, Takei would probably be well into his 90s by the time this hypothetical series went into production; you’d also probably have to audition an understudy from the start in case Takei kicked the bucket.

I think this is why we need more animated Star Trek. While no recent animated Trek show has really managed to get past the equivalent total runtime to a ~5 season, 10 50-minute episode Trek series, I think animation could be a medium to get past some of the budgetary and labor limitations of a live action show in order to return to something closer to a TNG-style season. Not only that, but you could have the cast doing and interacting with things that would simply be impossible to do with any quality in a live-action show.

Although truth be told, I think half my opinion is just fueled by sourness over the end of Lower Decks and Prodigy. I really think though that animation could be the medium for a serious mainline Star Trek series that isn’t (originally intended as) an excursion into a genre. Unfortunately, we sort of live in an animation dark age because of executive and general stupidity.

I enjoyed this episode much more than the previous one. It was quite fun. Sure, holodeck episodes aren’t the most original idea in Star Trek, but they’re almost always good, and I think this episode was worth the slight fudging of canon.

Also, seeing the “Last Frontier” bits and how well they captured the TOS feel makes me think, “Why do they need to make modern Trek so fancy? Why can’t we have cheap-looking sets again?” Also, I think this is one of the better Paul Wesley performances in this show.

I was relieved to find they didn’t go to far with the meta this episode. So many of the clips and dialogues of this episode I saw in the initial trailers made me worry this season was going to do a multiverse plot or venture a bit too far beyond the fourth wall.

The only thing is the Spock/La’an romance is driving me nuts. Neither is emotionally ready, and Spock STILL has a fiance. It’s painful to watch it knowing that it’s almost certainly doomed. I don’t necessarily mind them acknowledging that they have feelings to each other, but I would have thought there would be a mutual desire to keep it platonic. In the end though, at least dancing isn’t Vulcan neuropressure - as I get further into Enterprise, I kind of wonder how Rick Berman has evaded the trunk of my car for so long.

Here’s my go at it:

My rationale is this is an Intrepid-based Miranda replacement attempt. The boom below the nacelles can be configured for extra weapons, sensors, or even as nacelles to allow an improved warp geometry for towing vessels below the ship (although good for towing, the ship has overall slower max speeds this way). They can also just be straight-up removed, the fastest configuration for the ship, as it get rid of the structural integrity field requirements for the boom.

But supposedly, as said in the show, the house could regain their honor by someone in the house assassinating Dak’Rah, so I don’t get how using technicalities to graft M’Benga would violate that rule.

Well, actually, what remains of the council eventually does so in the 30th century after the Grim Reaper made a bit too good of a “Your Mom” joke to a child, if you know what I mean.

Did anyone else think, “Why doesn’t Bytha just pull a House Quark and marry, then immediately divorce M’Benga?”

Although I guess M’Benga, unlike Quark, can’t pull the “This isn’t an honorable combat. This is an execution!”